Pablo Picasso Essay -- Essays Papers

Pablo Picasso Yet Cubism and current art werent either scientific or intellectual they were visual and came from the substance and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father who ably led him a pine. The sm only Museo de Picasso in Barcelona is devoted in the first place to his early works, which include strikingly realistic renderings of casts of ancient sculpture. He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He in short went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impress him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904. Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the olive-drab goal, an d the pink wine Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects commission on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Clevelands Museum of Art, La Vie (1903), that was created in memory of a great puerility friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picassos features became those of his disconnected friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. A nonher outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Mans Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903). The Rose Period began around 1904 when Picassos palette brightened, the paintings dominated by pinks and beige, light blues, an d roses. His subjects atomic number 18 saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the prime(a) works of this period is in Washington, D.C., the National Gallerys large and extremely exquisite Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and unable(predicate) of communicating with each other, set in a one-dimensional space... ...ods. This paperbacked version is the smarter buy. Also available A Life of Picasso Volume II, 1907-1917, which covers the full of life Cubist Period. Picasso The Early Years 1892-1906 This is the catalog to the blockbuster show of 1997, featuring the Blue and Rose Periods. The graphics are of exceptional quality, and the accompanying essays are enlightening, focusing on less well-known aspects of this period of Picassos career. Picasso and Portraiture Representation and shimmy William Rubin (Editor), Anne Baldassari, Pierre Daix This is the catalog to the blockbuster show of 1996, featuring portraits from the beginning to end of Picassos long career. The graphics are again of exceptional quality. Rubins essay in particular is critical in art historical writing on the Spanish master. Picassos Variations on the Masters Confrontations With the Past Susan Grace Galassi This is an extremely interesting gestate at Picassos series paintings based on masterworks from the then(prenominal), from Velazquez to Delacroix to Manet. It was as if he could not find sufficient competition among contemporary artists, and looked to outdo the masters of the past in their own works.